Tofu V, 2023, 5 x 3.75 x 2 in, papier-mâché, tofu cloth, and acrylic medium

Inflaming (on-Screen), 2020, 4K Ultra HD video, duration of a Biface.
Inflaming (Circular), 2023.
Flaming Tower, 2019/2020, wax, wicks, dye, and stainless steel.
Flaming Tower IV, 2019/2023, wax, wicks, dye, and stainless steel.
Biface 506a1, 2019, multiples, wax, wicks, and dye, dimension variable.
Biface 1916.82, 2019, multiples, wax, wicks, and dye, dimension variable.




Untitled (With Mohammad Nor), 2016-present, acrylic on canvas, 173 x 236 cm; 4K Ultra HD video, 83 minutes; performance.
Untitled (With Thilaga and Aravinthan), 2016-present, acrylic on canvas, 173 x 236 cm; 4K Ultra HD video, 60 minutes; performance.

Untitled (With Thilaga and Aravinthan), 2016-present, acrylic on canvas, 173 x 236 cm; 4K Ultra HD video, 60 minutes; performance.
Untitled (With Mohammad Nor), 2016-present, acrylic on canvas, 173 x 236 cm; 4K Ultra HD video, 83 minutes; performance.

Installation view. Reciprocity, 16 – 31 August 2016, Richard Koh Fine Art, Kuala Lumpur
Pusat Bandar Utara Selayang, 160619 (6 Painters : 4 Wheels), 2016, acrylic on jute, 110 x 210 cm
Pusat Bandar Utara Selayang, 160619 (6 Painters : 4 Wheels), 2016 [24×42.4cm] C-type photography paper
Bicycle Wheel II, 2016, acrylic paint, bicycle wheel, tyre, stainless steel, 153 x 50 x 16cm
Three Bicycle Wheels, 2016, acrylic paint, bicycle wheel, stainless steel, 155 x 64 x 64 cm

Installation view of Shelter 1.0 at Indian Street, Kuching, Sarawak, Malaysia.
Participants inside Shelter 1.0.
Installation view of Shelter 1.0 at Pasar Satok, Kuching, Sarawak, Malaysia.
Installation view of Shelter 1.0 at Pasar Samarindah, Kota Samarahan, Sarawak, Malaysia.
Participant is making remarks in Shelter 1.0.

Break the News, 2011

Break the News, 2011, installation, dimension variable.