Inflaming, 2019

A participatory installation consists of Flaming Tower and Biface.


Flaming Tower, 2019-2020

Wax, wicks, dye, and stainless steel.

Hings Lim’s Flaming Tower, with its rivulets of hardened wax, is an object with a before and after. Before it is lit, the wax holds its shape, afterwards, it once again takes on a semi-rigid form; between these states, the wax is warm, soft, and malleable.

In order to create this piece Lim drew upon another type of sculpted form—bifaces, or hand axes. Thought to be the longest-used tools in human history, dating to the Lower Paleolithic period (before 300,000 years ago), these tools were typically made of flint and are hypothesized to have had myriad uses. Using 3D modeling data that corresponds to artifacts in the holdings of the North Carolina Archeological Collection, Lim printed 3D models of selected hand axes, which he subsequently used to create his own wax replicas. Fitted with wicks and molded in various colors, Lim’s bifaces provided the fuel for Flaming Tower.

Each of these bifaces reflects the delicate details of the originary flint flakes; molded in wax, their edges are almost transparent in contrast to their darker cores. The delicacy of these pliant objects makes the survival of their abstracted source material all the more improbable, and suggests that perhaps these primordial rocks can be seen not only as ancient tools, but as a form of ancient sculpture. Flaming Tower, like the Paleolithic artifacts from which it draws its specifications, is a work that holds time, visibly marking its passage. – Text by Kate Rouhandeh


Biface, 2019

Multiples. Wax, wicks, and dye. Dimension variable.


Inflaming (on-Screen), 2020

4K Ultra HD video, duration of a Biface.

<Enter the screening here>


Installation

Gayle and Ed Roski Master of Fine Arts Gallery, University of Southern California, United States

6 December 2019
https://roski.usc.edu/


Group Exhibition

In Cahoots: Artists and Curators at USC Roski, UTA Artist Space, Beverly Hills, California, United States

3 December 2020
http://utaartistspace.com/viewingrooms/in-cahoots-artists-and-curators-at-usc-roski/


References

Archaeological collections at Museum of Archaeology and Anthropology (MAA), University of Cambridge.
https://collections.maa.cam.ac.uk/objects/450987

The North Carolina Archaeological Collection by the Research Laboratories of Archaeology (RLA), the University of North Carolina at Chapel Hill.
https://rla.lib.unc.edu/rla/record/1156/context/specimen

https://rla.lib.unc.edu/rla/record/1214/context/specimen

https://rla.lib.unc.edu/rla/record/1223/context/specimen

https://rla.lib.unc.edu/rla/record/1665/context/specimen